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Recording Bass Guitar

“Jim- Whats the hardest thing to record?”

Recording Bass Guitar

For me its Recording Bass Guitar. The technique, the part, the bass, the amp (if needed) all play a huge part in making it sound like it’s part of the band. Usually there’s overplaying as the bassist is use to playing at rehearsals or live where they me be required to fill all the spaces. Typically I don’t want all the spaces filled in a Major recording. It’s simple things like don’t play over the snare some times or don’t clack on the pickups (more of a Metal thing).

When recording bass parts I typically use API mic pre’s along with an LA 3 compressor. These two items create a sonically intact front end bass signal. This enables the bass player and I to concentrate on getting the most grooving, underplayed non-clacking part possible.

An easy way to check your technique, provided you’re multi-tracking, is to get a copy of your bass part solo’ed so you can hear what your actually playing. You might be surprised at what doesn’t need to be there.

Of course there is the bass itself. It needs to sound right for what you’re doing. Clear and piano like or dead and muted depending on the genre. Other obvious things, make sure the strings are relatively new and the intonation is set correctly before you start recording…..hope this is helpful……… Jim

 
 

Recording Bass Guitar

Audio File Conversion

As a Music Producer, a question I get all the time is “Jim, what’s an easy way to convert my Audio file formats?”.

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The process of file conversion as related to Audio File Conversion used to be a bit of a pain, but no longer is. I use a very simple FREE desktop Audio Conversion software called Drop A Few My Way.

Drop A Few My Way is a simple drag and drop Audio File Conversion software. You simply place Drop a Few My Way on your desktop or sidebar and drop the audio file you wish to convert onto the icon. Once you have dropped the audio file onto the icon a menu will pop up and ask you what format you wish to convert to. The menu will then ask you where you would like to place the converted file. Nice and Easy!

Drop A Few My Way

I like to send Mix reference audio files to my artists to listen to in the MP3 format. As you might know, sending a 4MB MP3 file through email is a lot easier than trying to send a 90MB WAV file. This is when a simple audio conversion tool comes in handy.

I typically record and mix at a sample rate of 88.2. Converting my large mix down audio files to a MP3 file is as simple as drag and drop and it only takes second.

Drop A Few My Way is one of the music production tools I consider a must. It’s Free and saves me a lot of time and as you know, time is money. It’s a win win! Check it out!  Jim

http://dougscripts.com/itunes/scripts/ss.php?sp=dropafewmyway

Music Submissions and Demo Recordings

“Hey Jim, when I send you my music demo recordings, how evolved does the recording need to be?”

music-submissionWell, when I receive Music Submissions, I personally prefer the acoustic guitar or piano version of the song. This way I can hear the vocals, melody, chord structure and song arrangement. Then we can talk about the direction of the production.

A cell phone recording is fine with me for this purpose. It’s fine when bands or artists make their own multi-track recording, but that usually takes weeks longer to put together.

The other issue with multi-track demo solicitation is, you may get married to the demo. This can be both good and bad. Good if you created something awesome and we can use it. Bad if you created something not awesome and you can’t hear the song any other way.

Another reason I prefer a basic version is, you brought it to me so we can take your idea to the next level. The next level sonically and artistically. We will best achieve this from the ground up. If I am producing your project from tracking to Mixing, I am going to use the best recording equipment available e.g. Microphones, pre-amps, outboard gear and recording software. This will insure your idea reaches maximum sonic level.

As a Music Producer, I prefer to start with the song idea at it’s most basic level. The melody, chord progression and lyrics need to stand on their own. Let’s get this nailed down in pre production and then build the song out from there. I might have some ideas that you haven’t considered and you might have some ideas that we need to explore.
My experience will guide us through this process in a productive and efficient manner.

Other times a more established band will have recorded tracks for a demo with the intent to turn it into a master. We will have discussed this in preproduction and we would re-cut any tracks that are not sonically relevant. Again, we would have established the musical direction before I accepted the project.

Hope this helps, Jim Ebert
 
 

Recording with or without effects

“Jim, Should I record with effects like reverb or delay on the track?”

recording-with-effectsAs a Music Producer and audio Engineer, this is another question I get frequently. Typically, the answer is no, but it comes down to personal taste.

Personally I record a lot of my guitar effects thru the guitar amp as if the player is performing live. Why? Because I LIKE THE SOUND of guitar effects thru the amp while the guitarist is cutting the track. “But Jim, then you cant change it”. Correct, but I LIKE IT…..so I have made a production decision.

That being said, my preference is to record vocals dry with no effects and adjust them later according to the mix. I do however record vocals with some level of compression. The amount of compression I use is dictated largely by the genre of music the track is for. Pop music is very compressed so I’ll use some compression while tracking and maybe a bit more when I mix. When recording and producing a Jazz record, I will use much less compression while tracking as this genre dictates that.

A lot of keyboards have built in fx. Again, If I like the sound, I’ll use it. If I don’t, I’ll have the player remove them.

When recording Bass guitar, I’ll usually take a direct line straight from the bass and maybe a line from the amp so I can add dirt or distortion if need be. Both of these will get a bit of limiting (high ratio Compression) and I will blend the two later.

When recording Drums, I rarely ever use delay or reverb while tracking. BUT I use a fair amount of compression on the overheads and rooms. Why? Because I love the sound of compressed drums. I will also put a bit of compression on the Snare and kick when tracking. You need to be very careful with this as snare compression can pull unwanted hi hat into the snare mic. We will pay very close attention to mic placement so we usually don’t run into the bleeding hat problem.

A lot of how I record is based on my opinions, preferences and experiences. Some engineer/producers prefer to do all effects/ compression at mix. I do a combination of both. The point is, if you love the effect or sound ….record it. You may not get a chance to get it back later.

Hope this helps, Jim

Recording with or without effects

I’m accepting one-on-one Music Production Student’s for next year

I’m accepting one-on-one Music Production Student’s for next year.

This is a Virginia State Certified Course

http://www.centerforaudioengineering.com/2011/01/17/music-production-become-a-music-producer/

Virginia State Certified Music Production Course