Google+

Audio File Conversion

As a Music Producer, a question I get all the time is “Jim, what’s an easy way to convert my Audio file formats?”.

images

The process of file conversion as related to Audio File Conversion used to be a bit of a pain, but no longer is. I use a very simple FREE desktop Audio Conversion software called Drop A Few My Way.

Drop A Few My Way is a simple drag and drop Audio File Conversion software. You simply place Drop a Few My Way on your desktop or sidebar and drop the audio file you wish to convert onto the icon. Once you have dropped the audio file onto the icon a menu will pop up and ask you what format you wish to convert to. The menu will then ask you where you would like to place the converted file. Nice and Easy!

Drop A Few My Way

I like to send Mix reference audio files to my artists to listen to in the MP3 format. As you might know, sending a 4MB MP3 file through email is a lot easier than trying to send a 90MB WAV file. This is when a simple audio conversion tool comes in handy.

I typically record and mix at a sample rate of 88.2. Converting my large mix down audio files to a MP3 file is as simple as drag and drop and it only takes second.

Drop A Few My Way is one of the music production tools I consider a must. It’s Free and saves me a lot of time and as you know, time is money. It’s a win win! Check it out!  Jim

http://dougscripts.com/itunes/scripts/ss.php?sp=dropafewmyway

Audio File Transfer

WAV FileHey Jim, can we use stuff we’ve recorded at home and bring the parts into the studio?

Of course you can, I do Audio File transfers all the time. Oh, but before you bring me those files, here are a couple of things you need to think about.

Most studios operate in Wave Files, so hopefully your system is using wave files or can convert your audio to WAV.

Here’s the tricky thing for some systems, we need the files to be continuous files from 0:00 or the beginning of the session. In other words, if your vocal track(in this case) has dozens of edits, each of these edits is a different file. So when I bring it in to my system they’re all out of time and starting at the beginning of the session as opposed to where they are supposed to be.

Putting these files in correct order and in the correct spots is very time consuming. This time will cost you a lot of money if I have to fix it.

Studio Software Pro toolsThe solution is simple. Clean your edits and consolidate or create continuous files from 0:00 and we can avoid this time sucking job all together.

But Jim, will they sound as good as if you recorded them? Well…… Maybe , Ummmm…. maybe not….Did you record with a decent microphone or preamp?

Good mics and preamps can help audio to sound good. Although, sometimes you don’t have the good gear at home, but because you were relaxed and in the right frame of mind, your tracks come out sounding great. This happens all the time. Your best vocal, sometimes is when you’re sitting at home with no pressure. I’ll take vibe and performance over sonic quality any day. Of course if it’s distorted, (and we don’t want distortion) we might be retracking it anyway.

Jim, can we do it as an analog transfer? Meaning we just play the file from the workstation right into your system? Not the preferred way to do it, but if it’s something we just can’t recreate, we will give it a shot. There will be no synchronization so the timing will be off, but that’s not the end of the world. With todays advanced studio software, it might take additional time to sync the tracks up, but it can be done.

I hope this helps. Jim
 
 

Audio File Transfer

What Music Recording Software is Best?

Hey Jim, What music recording software should I get?

As a record producer, I get asked this question all the time. Most of the Dominant music recording software such as Pro Tools, Nuendo, logic, Digital Performer, Ableton, etc… All have their strong points and are touted by the people that use them. As to which one sounds best, this is a matter of opinion and anyone who says different is usually pimping what they use.
You want to make sure that it will record into a WAVE file format as this is what most
Studios and engineers use. Almost all systems do this by now but just check before purchasing.

So pick your poison. Ableton and Digital performer have extensive MIDI capabilities if you’re looking to do a lot of MIDI recording, other softwares have MIDI recording as well, some better than others. If you’re looking to use what most of the world use’s, get Pro Tools. Pro Tools is not the cheapest but it’s the industry standard and what most studios and Producers use at this point.

Mixing can be very powerful in Pro Tools as well. Pro tools comes in a light and Pro Version. If you have a computer (Mac is more desirable with Pro tools) that meets Pro tools specs, I recommend getting it and learning it, then you can go into most studio’s and Mastering houses and load right in.

Logic is another great music recording software and made by Mac/Apple. Just an opinion but , I think someday Logic will overtake the market. If that were to happen, it would still be years away.

Now that I’ve said all this, the guy down the street might say “I use Reaper (another music recording software) for $100 and it works great”. That’s fine, but it’s not what most of the world uses. There is no wrong answer, do your research, hit up friends who make music at home and decide whether you need compatibility or not.
The other good thing about learning Pro Tools is if you look for a job in the music/film industry, you will have a head start with your knowledge of Pro Tools software.

As for the self standing systems from Korg, Roland, or Yamaha or other box’s that carry all the stuff you need, I’d be leery. From my experience, each system speaks it’s own specific language and in my opinion they are difficult to learn and hard to transfer files out of. That’s Just my opinion.

Good luck, it’s a party out there.

 
 

What Music Recording Software is Best?

Tales From The Vault #2

Music Producer Stories from Jim Ebert

Back in the 90s, I produced a song called “Hooch” by the band Everything. I was living in Los Angeles at the time and myself and the band were trying figure out where to record the album. The budget was ok but by no means a 90’s label budget. At the time, the band lived on a farm property which had an old, brick ,large mainhouse that was vacant. The house was a couple hundred years old and had a ton of charm. We worked a deal out with the property owner to rent the house for a month to record the album.

Then we went to work, somehow I rented a package from an LA rental company, which included: A studer 827 24 track, 10 API mic pres,2 la2a’s, 2 1176’s, an Elam 251, 2 akg 414’s, A bunch of hooch-by-everythingSennheiser and Shure Studer-a827-24-trackMics, Cabling, Snakes, and other stuff. I brought pro tools and a few instruments, the bands friends bought a console to monitor with and after 2 days of wiring, we had a studio.

As far as tracking, all the rooms in the house sounded different. We would set the drums up in one room and see what song fit that drum sound. So, we recorded drums in several different rooms. The drum loop for Hooch was recorded in the servant’s quarters(200 year old house) with 2 shure 57’s straight to a cassette deck then dropped into pro-tools for arrangement. The background vocals were recorded on the back porch after trying several other options. The only expensive mic we used was the Elam 251 for lead vocals. The rest of the mic’s were mainly 57’s.

All of this was a lot of fun and work and really made possible who rented me everything for 7k and that covered shipping for all the gear as well. This made it possible to expand our timeline from 2 weeks to 5 weeks to record the record.

It takes time to make records, to look at options sonically and musically,emotionally,
This was a magic time in my carreer and my liver will never forget it.

Music Producer Jim Ebert