Google+

Recording Methods – Recording A Song A Day

Recording a Song a day

As a Music Producer, one of the most frequently asked questions I get is “Hey Jim, How do you like to schedule your Recording sessions?”

Well, if everyone in the band and/or all the session players can be there, I like to go with Recording A Song A Day.

My reasoning behing recording one song per day is that we can setup and perform with only the one song in mind. The sounds we produce and perform will be solely for the one song. This keeps everyones creative visions and ideas focused on the one sone and only the one song, from start to finish.

I’ve certainly Done drums for the album first, then bass on day 2, guitars days, 3-4 , etc. This method is very common and works as well, especially if there are scheduling confilcts within the band or with session players. In my experience, this still takes about the same amount of time as a song a day.

One of the other upsides to a song a day is not having to sing and record vocals on 10 songs at the end of the project. This can be stressful for the best of vocalists.

If You can schedule recording a song a day, I strongly suggest this method. Give it a try. Jim

 
 

Recording A Song A Day

Recording Matthew Ryan’s Certainly Never

Tales from the vault

may-dayIn the mid 90s, I had the pleasure of recording Matthew Ryan’s Debut album “Mayday” on A+M records. We recorded the record in NY, LA and Nashville using some of the finest recording gear available. We used 2 inch tape for the whole record, as most people did then. I used lots of equipment to get a very rugged natural sound but the biggest example of this was the song “Certainly Never”.

Matthew and I talked about the production on “Certainly Never” and he wanted a very room like, no frills sound for the song. At the time we were recording at Bearsville Recording Studio and I had access to the finest microphones and gear around.

The track consisted of Matthew playing piano and singing and Dave Ricketts playing Stratocaster (I believe) across the room about 20 feet away. Keeping with the spirit of the song, I took one AKG 414 and put it into the figure 8 pattern. I had Matthew and Dave play half the song, then I moved the mic a bit for vocal piano blend (still using the figure 8 pattern) and adjusted Dave’s amp volume a bit. I then had them play the song again. Was it perfect? No… Was it the right vibe?….. I believe it’s one of Matthews favorite on the Record. The lesson here is? Don’t over-think.