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What are the best Speakers for my Home Recording Studio?

Auratones

Hey Jim…..What type of speakers should I get for my home studio?

Well now we’re into a debatable topic.
 

In my opinion when you are purchasing speakers/monitors for your home recording studio, you’re looking to find speakers that fit your minds ear. In other words, when you play a mix you’ve heard a thousand times and everything sounds as your mind remembers it sounding, then you’re close. If you put on something you know, and start hearing things you never heard before, that’s probably not the best speakers to mix on.

You see, your goal is to find speakers that are neutral enough, that when you take your mix elsewhere e.g. (your car, Headphones, other stereos, P.a.’s etc.) The mix should sound similar on all speakers.

Example… If you buy really bass heavy speakers cause you love bass, then you go home and mix on them, your mix’s probably won’t have the same amount of bass in the rest of the world. Make sense?

Genelec Speakers

So my advice is to listen to speakers either at a store or a studio, and put on music that you’re extrememly familiar with. If The mix sound like you remember it , your looking at a pair of speakers that may fit you. Everyone hears things differently, so a $400 pair of speakers may be better for you than a $4000 pair and vice-versa.

Jim, do you ever use headphones to mix? Typically,I don’t use headphone’s for levels or frequency evaluation, but I do use them for checking Reverb and delay panning and making sure the left and right volume returns are balanced on certain things.

 
Hope this helps….ROCK FULLY…..
 
 

What are the best Speakers for my Home Recording Studio?

Mic Preamp – Why Quality Matters

api-512c-mic-preampMic Pre Mojo

If you have an M box, a mixer, an iPhone or anything you can plug a microphone into, you have a microphone preamplifier AKA Mic Preamp. You may not see it or even know that it’s there, but it is.

I am a Microphone Preamplifier lunatic. If I’m producing a recording, I insist on using a studio with the quality of mic preamps that I use for my productions. It is that important!

Some might naively say “But Jim, a mic pre can’t possibly make that big of a difference”. To which I would reply “Oh contraire mon frère, an audio chain is only as strong as it’s weakest link.”

If the 1st thing your microphone hits is a substandard mic preamp, you are battling uphill from there. If you’er recording dozens of tracks (as I normally do), the sound will seem much less vital and clear with a cheaper mic preamp. You may not notice the lack of quality as much when you’er recording a single track, but when you multiply the lesser quality with many tracks, the difference will be quite apparent. It takes a quality mic preamp to help capture the true sonic properties that make a voice or instrument sound clear and present in the mix. Without quality mic preamps, you get little clarity and a lot of mush.

Much like plugging your guitar into a cheaper amp or a good amp, you can hear the difference. Like guitar amps, mic preamps have different sound qualities according to make and model. So saying which mic preamp is the best is a matter of taste and opinion.

One of the big problems with mic preamps is of course their cost. Ranging from about $800 to $5000 for a single mic pre, the typical home recording user (usually) isn’t going to buy 20 quality mic preamps. But a good studio will!

People ask me all the time, why records sound the way they do. Well, Great songs, great performances, great Production and engineering, great gear and Great Mic Preamps!

What I Recommend:
If you are recording at home and are serious about your sound quality, I would create a quality single chain by purchasing the following:

api-512c single-channel • One – API 512 mic preamp $800

• One – Empirical Labs Distressor (compressor) $1200. el8-distressor

Not cheap I know, but for 2 k you would have the same channel found in many professional recording studios and the sound to match.

That’s it for now, Good luck. Jim

What Music Recording Software is Best?

Hey Jim, What music recording software should I get?

As a record producer, I get asked this question all the time. Most of the Dominant music recording software such as Pro Tools, Nuendo, logic, Digital Performer, Ableton, etc… All have their strong points and are touted by the people that use them. As to which one sounds best, this is a matter of opinion and anyone who says different is usually pimping what they use.
You want to make sure that it will record into a WAVE file format as this is what most
Studios and engineers use. Almost all systems do this by now but just check before purchasing.

So pick your poison. Ableton and Digital performer have extensive MIDI capabilities if you’re looking to do a lot of MIDI recording, other softwares have MIDI recording as well, some better than others. If you’re looking to use what most of the world use’s, get Pro Tools. Pro Tools is not the cheapest but it’s the industry standard and what most studios and Producers use at this point.

Mixing can be very powerful in Pro Tools as well. Pro tools comes in a light and Pro Version. If you have a computer (Mac is more desirable with Pro tools) that meets Pro tools specs, I recommend getting it and learning it, then you can go into most studio’s and Mastering houses and load right in.

Logic is another great music recording software and made by Mac/Apple. Just an opinion but , I think someday Logic will overtake the market. If that were to happen, it would still be years away.

Now that I’ve said all this, the guy down the street might say “I use Reaper (another music recording software) for $100 and it works great”. That’s fine, but it’s not what most of the world uses. There is no wrong answer, do your research, hit up friends who make music at home and decide whether you need compatibility or not.
The other good thing about learning Pro Tools is if you look for a job in the music/film industry, you will have a head start with your knowledge of Pro Tools software.

As for the self standing systems from Korg, Roland, or Yamaha or other box’s that carry all the stuff you need, I’d be leery. From my experience, each system speaks it’s own specific language and in my opinion they are difficult to learn and hard to transfer files out of. That’s Just my opinion.

Good luck, it’s a party out there.

 
 

What Music Recording Software is Best?

Music Producer – What is a Music Producer and What I Can Do For You

As Your Music Producer, my job is to

1. Guide you through the process of turning an idea into reality .
2. Help you reach your maximum sonic potential as an artist.
3. Reach this Potential in a calm constructive efficient manner by utilizing my many years of experience as a Music Producer, Audio Engineer, Mixing Engineer and Song writer.

 
The following is an example of my process when working with a Singer/Songwriter. The process is tailored for each project in that all projects are unique and have different demands. We will discuss the following points in our first preproduction meeting and a course of action will be set from there.

Key of Song
Song Arrangement
Lyric Review
Target Audience
Budget
Use of Appropriate Musicians
Appropriate Recording Environment

We will begin by discussing what you are and what you want to be as an artist. Every artist and project is different requiring different techniques and thought processes. Deciding upon the appropriate process for you as an artist in preproduction helps create a more creative and productive environment throughout the recording process.

Review your Songs, Lyrics, Arrangements and Key


Song Key – The right key for your voice is essential. Just because you wrote your song in A major doesn’t mean its the best key for your voice or the instrumentation. You just might sound better in a different key. Again, this seems obvious but is often overlooked or unexplored.

Arrangement – Sometimes you have performed a song so many times you can’t hear it any other way. I’m a fresh set of musical ears on the project. I’ve had several successful projects that thought their pre chorus was the chorus or vice versa . It’s a great asset to have an extra set of experienced musical ears to make sure that all options are not overlooked. Having said that, a good producer won’t change your song for the sake of change. We change only for the betterment of the song.

Target Audience

Over the years many artists have brought me projects that were started with other producers and soon went a direction the artist never intended. This is usually a producer making his record and not your record. Nothing wrong with that, just not right for you!

This usually occurs when great care was not taken in the preproduction stage. Vast amounts of time and money get wasted by not addressing as simple a detail as target audience. For example, you discuss with me that your audience would be similar to Allison Krause’s audience, but your song is put together in a more dance/pop fashion. This will be addressed in preproduction as well a as how your song should be treated in order to reach your target audience.

Over the years I have produced records in a vast array of styles, from Punk to Pop, Rock to Reggae, Country to Classical. I understand the musical properties intrinsic to these styles and how to achieve them for you. If I don’t know, I won’t do your project. It’s that simple! Your producer needs to be your partner in this journey.

Budget

Part of the producers job is to make sure your project stays on budget. We will discuss exactly what it will take to finnish your project before we start and set the budget accordingly. The budget can change during the course of the project but not without it being discussed first.

There are several different ways a producer charges.

By The Hour
By The Day
By The Song

It is important that this is set up front. I have a very good idea of how much time should be allocated to each phase of your project. As long as we are clear up front, there will be no surprises for anyone.

A producer is also entitled to a royalty percentage if your music is to be released nationally or worldwide. This rate differs from producer to producer and comes from the net sales. This will be negotiate up front if applicable.

Appropriate Musicians

I have a vast network of players and programmers that are genre specific. It takes time to develop such relationships and to have access to the right people for the right job is crucial. I’m not going to bring in an authentic punk guitarist to play a country song. This may seem obvious but more often than not this is overlooked. Having a strong network of musicians is a must for a good producer. I have such a network and so will you.
Music Producer Pack

Recording Environment and Recording Equipment

A lot of Music Producers such as myself have a background in audio engineering as well as song writing and performance. This means I want the right creative environment for your music and the necessary equipment to make it sound right.

A professional recording studio typically has a large selection of studio microphones, preamps, studio software and other professional recording equipment. Recording equipment is expensive and usually not feasible to buy for a home recording studio. Use of a professional recording studio is usually the best option.

That being said, with the right recording gear at a home studio, you can typically record vocals, guitars and do your programming if needed for budgeting reasons. What ever environment we choose, I will be there as your producer.

Making Music and the Creative Process

Each project is different and so is the creative process for each. As an Artist myself, I am very comfortable talking to you creatively. Let us not forget, this is an artistic endeavor. Lets say you wanted to convey yearning in the verse and relief in the chorus or you wanted really aggressive tracks against sensitive lyrics. This should be discuss before we start the recording process.

As your producer, I will know how best to create the sonic environment in which to achieve the mood you are looking for as well as how to best treat your vocal accordingly. Again every project is different. We will find what is right for you.
 

Music Producer – What is a Music Producer and What I Can Do For You

 

Record Producer Jim Ebert:

One of the many Producer deals Jim has to offer-The Red Room Producer Pack at Cue Recording.