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Music Producer Jim Ebert

Music Producer - Audio Engineer - Mixer and Teacher, Jim Ebert

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Recording Bass Guitar

“Jim- Whats the hardest thing to record?”

Recording Bass Guitar

For me its Recording Bass Guitar. The technique, the part, the bass, the amp (if needed) all play a huge part in making it sound like it’s part of the band. Usually there’s overplaying as the bassist is use to playing at rehearsals or live where they me be required to fill all the spaces. Typically I don’t want all the spaces filled in a Major recording. It’s simple things like don’t play over the snare some times or don’t clack on the pickups (more of a Metal thing).

When recording bass parts I typically use API mic pre’s along with an LA 3 compressor. These two items create a sonically intact front end bass signal. This enables the bass player and I to concentrate on getting the most grooving, underplayed non-clacking part possible.

An easy way to check your technique, provided you’re multi-tracking, is to get a copy of your bass part solo’ed so you can hear what your actually playing. You might be surprised at what doesn’t need to be there.

Of course there is the bass itself. It needs to sound right for what you’re doing. Clear and piano like or dead and muted depending on the genre. Other obvious things, make sure the strings are relatively new and the intonation is set correctly before you start recording…..hope this is helpful……… Jim

 
 

Recording Bass Guitar

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Filed Under: Audio Production, Audio Recording, Music Producer, Music Production, Pro Tips, Sound Recording Tagged With: Bass, Bass Guitar, Bass Parts, Bass Players, Basses, compressors, Guitar, Guitars, Jim Ebert, Mic Preamps, music producer, Record Producer, Recording, Recording Bass, Recording Bass Guitar, String Instruments, The Bass, The Hardest Thing

About Jim Ebert

Music Producer, Mixer, Engineer for 25 years, Located in Northern Virginia. Multiple Platinum and Gold Record Awards.

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