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Music Producer Jim Ebert

Music Producer - Audio Engineer - Mixer and Teacher, Jim Ebert

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Studio Microphone

Recording Matthew Ryan’s Certainly Never

May-Day

In the mid 90s, I had the pleasure of recording Matthew Ryan’s Debut album “Mayday” on A+M records. We recorded the record in NY, LA and Nashville using some of the finest gear available. We used 2 inch tape for the whole record, as most people did then. I used lots of equipment to get a very rugged natural sound but the biggest example of this was the song “Certainly Never”.

Filed Under: Audio Engineer, Audio Production, Audio Recording, Mixing Engineer, Music Producer, Music Producer Stories, News/Blog, Recording Studio, Studio Microphone Tagged With: A & M records, Album, bearsville studio, certainly never, Debut Album, Frills, Matthew, Matthew Ryan, may day, Mid 90s, Pleasure, Recording, Recording Gear

Audio File Transfer

WAV File

Hey Jim, can we use stuff we’ve recorded at home and bring the parts into the studio?
 
Of course you can, I do Audio File transfers all the time. Oh, but before you bring me those files, here are a couple of things you need to think about.

Filed Under: Home Recording Studio, Music Producer, News/Blog, Pro Tips, Sound Recording, Studio Microphone, Studio Software Tagged With: aiff, audio file, Audio File Transfer, audio transfer, File, file transfer, Home Recording, recording studio, Studios, Stuff, Transfers, wav, wav files, wave files

Mic Preamp – Why Quality Matters

api-512c-mic-preamp

An audio chain is only as strong as it’s weakest link. I ‘m a mic preamp lunatic. If I’m producing a record, I insist on using only high quality mic preamps. Why? Read on……

Filed Under: Audio Production, Audio Recording, Home Recording Studio, Music Producer, Recording Studio, Sound Recording, Studio Microphone Tagged With: Audio Chain, Audio Engineering, Guitar Amplifier, Home Recording, Jim, Jim Ebert, Mic Pre, Mic Preamp, Mic Preamps, Microphone Preamplifier, Microphones, Mix, Preamp, Preamps, Producer, Producing A Record, Quality Matters, Record Producer, recording equipment

Recording with or without effects

recording-with-effects

Should I record with effects like reverb or delay on the track? Typically no, but sometimes yes. Often times it just comes down to your personal taste and the end result you are trying to attain.

Filed Under: Audio Engineer, Audio Production, Audio Recording, Home Recording Studio, Music Producer, Music Production, News/Blog, Recording Studio, Sound Recording, Studio Microphone Tagged With: Audio Effects, DC Area Producer, Dynamic Range Compression, Effects, Effects Units, Guitar Amplifier, Guitar Effects, Guitars, Jim Ebert, Record, Record Vocals, Recording, Recording Bass Guitar, Recording Drums, recording session, Reverb, Sound

Tales From The Vault #2

hooch-by-everything

The whole album was recorded in a 200 year old farm house. I rented a package from an LA rental company, which included: A studer 827 24 track, 10 API mic pres,2 la2a’s, 2 1176’s, an an Elam 251, 2 akg 414’s, A bunch of Sennheiser and Shure Mics, Cabling, Snakes, and other stuff. As far as tracking, all the rooms in the house sounded different. We would set the drums up in one room and see what song fit that drum sound. So, we recorded drums in several different rooms.

Filed Under: Audio Production, Audio Recording, Home Recording Studio, Music Producer Experiences, Music Producer Stories, Sound Recording, Studio Microphone, Studio Software Tagged With: Ebert, Jim, Jim Ebert, Music Industry, music producer, Produce, Producer, Record Producer, Recording Budget, recording environment

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