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Music Producer Jim Ebert

Music Producer - Audio Engineer - Mixer and Teacher, Jim Ebert

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Music Producer Stories

Stories behind tracking Butch Walker’s “Letters”- Joan

Recording Butch Walker Letters

Joan was tracked in one take at Butch Walker’s Ruby Red Room in Atlanta. We used a stereo mic setup on the piano, I think it was 2 414s but I’m not 100% sure as it was a while ago. The vocal was a u47 I believe, and yes there was vocal bleed in the piano mics and vice versa. That was part of the beauty of it all.

Filed Under: Butch Walker's Letters, Music Producer, Music Producer Stories, Recording Studio Tagged With: Bobby Yang, Butch Walker, Butches, Collective Soul, Ebert, Ed Roland, Jim Ebert, Joan, Letters, music producer, Piano, Piano Mics, Record Producer, Ruby Red, Setup, Stereo Mic, violin, Walker S

Recording “Letters” with Butch Walker

Recording Butch Walker Letters

The best records you make as a Music Producer are always the easiest to make. Butch Walker’s “Letters” was one such record.

Filed Under: Mixing Engineer, Music Producer, Music Producer Stories, News/Blog, Recording Studio Tagged With: Butch Walker, Butch Walker recording, Butch Walkerrecording, Jim Ebert, Letters, Music, Music Industry, music producer, Producer, Record Producer, Recording, Recording Gear, Walker

Recording Matthew Ryan’s Certainly Never

May-Day

In the mid 90s, I had the pleasure of recording Matthew Ryan’s Debut album “Mayday” on A+M records. We recorded the record in NY, LA and Nashville using some of the finest gear available. We used 2 inch tape for the whole record, as most people did then. I used lots of equipment to get a very rugged natural sound but the biggest example of this was the song “Certainly Never”.

Filed Under: Audio Engineer, Audio Production, Audio Recording, Mixing Engineer, Music Producer, Music Producer Stories, News/Blog, Recording Studio, Studio Microphone Tagged With: A & M records, Album, bearsville studio, certainly never, Debut Album, Frills, Matthew, Matthew Ryan, may day, Mid 90s, Pleasure, Recording, Recording Gear

Tales From The Vault #2

hooch-by-everything

The whole album was recorded in a 200 year old farm house. I rented a package from an LA rental company, which included: A studer 827 24 track, 10 API mic pres,2 la2a’s, 2 1176’s, an an Elam 251, 2 akg 414’s, A bunch of Sennheiser and Shure Mics, Cabling, Snakes, and other stuff. As far as tracking, all the rooms in the house sounded different. We would set the drums up in one room and see what song fit that drum sound. So, we recorded drums in several different rooms.

Filed Under: Audio Production, Audio Recording, Home Recording Studio, Music Producer Experiences, Music Producer Stories, Sound Recording, Studio Microphone, Studio Software Tagged With: Ebert, Jim, Jim Ebert, Music Industry, music producer, Produce, Producer, Record Producer, Recording Budget, recording environment

Tales from the Vault #1

Ozzy-from-the-vault

So I’m working at A+M studio’s in the 90’s in the big SSL room in the back. A famous dark metal band from the 70’s(60’s) is mixing across the hall when the singer(famous for biting bats) waltz’s into my control room……

Filed Under: Music Producer Stories Tagged With: Ebert, Jim, Jim Ebert, music producer, Producer, Record Producer, Tales

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