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Music Producer Jim Ebert

Music Producer - Audio Engineer - Mixer and Teacher, Jim Ebert

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Producer

Recording “Letters” with Butch Walker

Recording Butch Walker Letters

The best records you make as a Music Producer are always the easiest to make. Butch Walker’s “Letters” was one such record.

Filed Under: Mixing Engineer, Music Producer, Music Producer Stories, News/Blog, Recording Studio Tagged With: Butch Walker, Butch Walker recording, Butch Walkerrecording, Jim Ebert, Letters, Music, Music Industry, music producer, Producer, Record Producer, Recording, Recording Gear, Walker

Music Submission to Music Producers, Music Supervisors, Publishers, etc.

MP3 File

A growing trend I see amongst artists submitting music to me, is to email me a link to their music on a 3rd party sight. At this music site, I have to search for the artist or sign up for the site to hear the song. This is not good!

Filed Under: Music Producer, News/Blog, Pro Tips, Tip of The Month Tagged With: 3rd Party, Culture, demo, demo cd, demo project, demo recording, drop a few my way, email mp3s, Growing Trend, mp3 conversion, music producer, music publisher, Music Publishers, music submission, Music Submissions, music supervisor, Producer, project solicitation, publishing, submit music, Submit Songs, Technology, Their Music

Recording Methods – Recording A Song A Day

Recording a Song a day

One of the most frequent questions I get asked is “Hey Jim, How do you like to schedule your Recording sessions?”

Filed Under: Audio Recording, Music Producer, News/Blog Tagged With: A Song, Album, audio recording, Ebert, Effective Method, Jim, Jim Ebert, Methods, music producer, music recording, Producer, Record Producer, Recording, recording methods, Song, song per day

Mic Preamp – Why Quality Matters

api-512c-mic-preamp

An audio chain is only as strong as it’s weakest link. I ‘m a mic preamp lunatic. If I’m producing a record, I insist on using only high quality mic preamps. Why? Read on……

Filed Under: Audio Production, Audio Recording, Home Recording Studio, Music Producer, Recording Studio, Sound Recording, Studio Microphone Tagged With: Audio Chain, Audio Engineering, Guitar Amplifier, Home Recording, Jim, Jim Ebert, Mic Pre, Mic Preamp, Mic Preamps, Microphone Preamplifier, Microphones, Mix, Preamp, Preamps, Producer, Producing A Record, Quality Matters, Record Producer, recording equipment

Tales From The Vault #2

hooch-by-everything

The whole album was recorded in a 200 year old farm house. I rented a package from an LA rental company, which included: A studer 827 24 track, 10 API mic pres,2 la2a’s, 2 1176’s, an an Elam 251, 2 akg 414’s, A bunch of Sennheiser and Shure Mics, Cabling, Snakes, and other stuff. As far as tracking, all the rooms in the house sounded different. We would set the drums up in one room and see what song fit that drum sound. So, we recorded drums in several different rooms.

Filed Under: Audio Production, Audio Recording, Home Recording Studio, Music Producer Experiences, Music Producer Stories, Sound Recording, Studio Microphone, Studio Software Tagged With: Ebert, Jim, Jim Ebert, Music Industry, music producer, Produce, Producer, Record Producer, Recording Budget, recording environment

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